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Monthly Archives:: December 2011
From Browser to Gallery (and Back): The Commodification of Net Art 1990-2011
Download full text HERE Since its beginnings in the late 90s, internet art has had a fickle relationship with the museum. While commissions and granting initiatives have been established for media arts in Europe and America, the relationship between internet art and its fluctuating appearance in institutions demonstrates that it has not yet been wholly embraced… Read more »
Post-Internet Painting and the Death of Affect
1. Art Blog, Art Blog What are the implications of taking a web-based project into reality? Painter Joshua Abelow, whose blog Art Blog Art Blog has been running since March 2010, was curious what his blog would look like in three dimensions. Taking curatorial residence in well-known Op artist Ross Bleckner’s studio in Chelsea, Abelow… Read more »
I trolled Jay Jopling into paying the Kingdom of Belgium 1,620 EUR in chump change and all I got was this lousy legal correspondence from his high profile law firm
In much the same way as any person worth their chips will sniff out a zeitgeist only to rebrand it with their own self at the helm (what Elvis and Eminem were to black music, what Jeff Koons is to kitschy artifacts made by little known plebes, what Google and Facebook are to the broad,… Read more »
- Pool is no longer active! That said, feel free to continue reading, citing, downloading and printing! - Louis
- Pool | May 2012
- Pool | December 2011
- Troll Culture: A Conversation with Stefan Krappitz
- When an Image Becomes a Work: Prolegomena to Cattelan’s Iconology
- Notes on Hell, Blogs
- F/F
- To Open […] To Collect […] To Expand […] To Continue: Richard Serra’s Verb List, Post-Internet Appropriation, and the Culture of the Use of Forms
- From Browser to Gallery (and Back): The Commodification of Net Art 1990-2011
- Post-Internet Painting and the Death of Affect
- I trolled Jay Jopling into paying the Kingdom of Belgium 1,620 EUR in chump change and all I got was this lousy legal correspondence from his high profile law firm
- Pool | November 2011
- The Owners’ World
- Towards the Choice of This Color
- The Never Forgotten House
- ‘Unlike’: Forms of Refusal in Poetry on the Internet
- U MAD BRO? Direct Action in the Meme Pool
- Pool | October 2011
- Towards Narrative
- Thoughts on Artwork, Documentation and the Internet
- How Free is Free? Netlabels and the Politics of Online Music Distribution
- Pool | September 2011
- Fuck 6 Women Per Week Guaranteed: Pornography Advertising as Mainstream Content Cycle
- A Discussion of Mimesis on the Polder-net or: You Have No Chance to Survive Make Your Time
- Reciprocity in the Age of Reversal and New Public Spheres
- Desert Diary - Excerpts from Drifts and Desrt
- Pool | August 2011
- Why is the No Video Signal Blue? Or, Color is No Longer Separable From Form, and the Collective Joins the Brightness Confound.
- TL;DR
- User Generated Content
- World Wide Web or the Incidents
- Notes on a Drive
- Capture Culture
- Double Visions
- I am Such a Failure: Poetry On, Around, and About the Internet
- Pool | July 2011
- Post-Digital Being There: Werner Herzog, The Cave and Me
- …’Cause I look like a Cloud
- Canons in the Slipstream
- Archaic Rendering
- Shades of Grey
- Novelty & Whatever Comes Next After Contemporary Art
- Occult Hands, Frozen Heads
- Metamaterialism
- The Stubborn Dream of Everyday Virtuality
- Pool | June 2011
- Review: If Our World Protects
- Between Stupidity and the Sublime
- Women, Sexuality and the Internet
- Community and Practice Online
- Meagher’s Space
- Duchamp’s Ideal Children: Internet Art, the Avant-Garde and the Readymade
- Why Are There No Great Women Net Artists?
- Within Post-Internet, Part One
- A Case Study on the Influence of Gestural Computing